Some people turn their noses up at animated films
stating that they can’t carry the weight and beauty a “real movie” can. In
regards to such an opinion, I can simply share that The Wind Rises is an
animated film and I cried on at least 3 occasions because I felt so moved by
the love and loss seen in the movie that it was impossible for me not to
relate.
For decades, Hayao Miyazaki has proven that
animated films can be just as powerful as live action films. It is a wonderful
medium and one I have always been in love with. I have especially taken a
liking to Miyazaki during the last couple of years because in an era of
CGI and 3D, his films are still beautifully hand drawn.
I have a passion for hand-drawn animation because
it is not convenient, it is not easy, it is painstaking and requires a degree
of love for a project that is often absent in many modern day CGI films. Please
note, I’m not saying Finding Nemo and Toy Story aren’t masterpieces, of course
they are… I’m just saying that there is a place for hand drawn animation,
though this is a discussion for another day.
Going back to
the movie in question, the Wind Rises is a powerful movie full of superbly
drawn scenes, and some interesting questions about the value of a dream and
pursuing it, even if it means others will use it for destructive purposes. The
story centers around Jiro Horikoshi, the creator of the main airplane models
used by Japanese air fighters in the Second World War. Just in case, this is not
a biopic, it has fantastic elements in scenes where Jiro is shown dreaming and
has lovely whimsical scenes of young love.
On the flip
side, it shows scenes of air fighters, the destruction caused by the Japanese
Earthquake of 1923 and handles mature topics, not to mention having a slow pace. So
obviously this means that this is not a movie for kids. This is an animated
feature for adults who enjoy a good movie. And it is a very good, although sad
movie. Unlike all other Miyazaki films I’ve seen, the end of this movie tugs at
my heart strings and really hammered through the pain of loss.
It is powerful, emotional and heartfelt. It also happens to
be hand drawn and unreservedly human. Two things I admire and strive for in my work as well.